If Tasha Layton’s 2022 full-length debut, “How Far,” showcased the sheer power of her voice, her new sophomore set, “Life In Me,” proves she’s got plenty of pop prowess to match those incredible pipes.
While her first effort boasted soaring ballads and impressive vocal runs, Layton displayed her charisma and wit on a fun holiday endeavor in 2023. In Spring 2025, she returned to her worship roots with “Worship Through It (Live).” Turning out a second LP in the same calendar year, “Life In Me” gives her former boss — Katy Perry — a run for her money with a collection of shimmering pop, punctuated by skillful lyricism and, of course, her signature vocal chops.
Upon first listen, fans will already recognize several tracks, including previously released radio single “Never,” No. 1 hit “Worship Through It (feat. Chris Brown)” and sparkling offering of gratitude “Thank You Isn’t Enough (feat. The Choir Room),” an immediate standout with its infectious chorus and retro sheen.
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In addition to Brown — Elevation Worship’s longtime lead — and in-demand collective The Choir Room, “Life In Me” serves up a number of collaborations. Pop-rock hitmaker Colton Dixon joins Layton for “Hindsight.” Together, they crafted the original with notable songwriter Ethan Hulse and Layton’s husband, Keith Everette Smith. It’s one of the album’s most satisfying moments, defined by a warm melody and open-book lyrics that testify to the faithfulness of God that often can only be traced in reverse.
Later, Layton taps Rachael Lampa for the project’s crown jewel, “The One You Love.” A perfect pairing, the two vocalists harmonize seamlessly as they declare their worth isn’t found in the many hats they wear, the emotions they carry or the responsibilities they steward. Instead, their value is determined by their status as daughters of God. The moving selection will, no doubt, be an encouragement to women — particularly overwhelmed wives and mothers — everywhere.
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For all her lyrical dexterity, “Life In Me” concludes with a song Layton didn’t write — a cover of Tim Hughes’ “When The Tears Fall,” which Hughes’ released on his 2004 sophomore album, “When Silence Falls.” More than two decades later, the beauty of the original still holds up with the worship pioneer lending his consistent vocal to the closing selection.
An intentional focus on collaboration is also evident in the credits. Fellow artists like Matthew West, Meredith Andrews and Kalley show up in the liner notes as co-writers, alongside respected songwriters like Jess Cates, Ricky Jackson, Jacob Sooter and Paul Duncan, among others.
While there are several songs of lament, even selections like the moody “Singing In The Dark” and the pleading “Meet Me In The Valley” hold hope; while the soulful “Lay It Down” finds the songstress trusting God’s sovereignty over her own finite understanding. On the whole, however, “Life In Me” offers a full exhale. The 12-track recording delivers a bright, upbeat batch of songs bursting with joy.
The title cut is, perhaps, the greatest example of Layton’s pure effervescence. Doused in an undeniable ’80s groove and positively radiating undiluted happiness, the sunny chorus is the kind of melody that instantly gets stuck in your head.
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“Each track really represents a season from my walk with Jesus. The album is a beautiful picture of His life in me,” the mother of two shares. “These songs tell the story of God’s faithfulness through every season, and I can’t wait for you to experience them.”
“Life In Me” is, indeed, a relatable journey of walking with God through life’s inevitable ups and downs. Yet, it also provides a hearty dose of optimism. In a world full of negativity, Layton chooses to view her glass as not just half full, but practically overflowing. These songs are a reminder that, even in the midst of disappointment, confusion or heartbreak, joy is right around the corner, waiting to be relished.
Beyond a welcome shot of melodic cheerfulness, Layton’s second studio effort solidifies her longevity. In her relatively short time as a solo artist, thus far, she’s illuminated various facets of her artistry, and it all appears to culminate on “Life In Me.” Layton is a spectacular vocalist. She’s a thoughtful songwriter. She’s a playful personality. She’s a heartfelt worship leader. And, finally — as so obviously presented on her latest album — she’s a shining pop star.
No longer riding Perry’s coattails, trying to prove herself in a sea of good voices, Layton is now confidently striding forward, owning the spotlight with humility and making the kind of clean pop music that allows listeners to taste the goodness of God in their current season.
